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	<title>nico sebastian meyer</title>
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	<pubDate>Sat, 15 Feb 2025 08:15:13 +0000</pubDate>
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		<pubDate>Wed, 31 May 2023 22:25:24 +0000</pubDate>

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		<title>Home Image 1</title>
				
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		<pubDate>Wed, 26 Jul 2023 14:47:58 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

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		<title>Home Image Scroll</title>
				
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		<pubDate>Tue, 23 May 2023 10:11:11 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

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		<title>portfolio download</title>
				
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		<pubDate>Wed, 24 May 2023 14:43:22 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

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download :
- selected works 2023 &#38;nbsp; 
- selected&#38;nbsp;photo 2023

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		<title>snailsOracle____</title>
				
		<link>https://nicosebastianmeyer.com/snailsOracle____</link>

		<pubDate>Wed, 26 Jul 2023 14:32:59 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

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		<description>____snailsOracle&#38;nbsp; @NEU!&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Winterthur
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/2ff202a32d2151b967a6fcef53e09c720d5fda92b0fc2c394743f5157d57e050/snailsoracle.PNG" data-mid="226613918" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/2ff202a32d2151b967a6fcef53e09c720d5fda92b0fc2c394743f5157d57e050/snailsoracle.PNG" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/4e97e13808180df7ca693b4d48e6bbbb5bec7f72cfe3b295aba896b894ddab8b/snailsoracle2_korrektur.jpg" data-mid="226613919" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/4e97e13808180df7ca693b4d48e6bbbb5bec7f72cfe3b295aba896b894ddab8b/snailsoracle2_korrektur.jpg" /&#62;

Es dämmert, der Nebel hüllt den Garten in einen grauen Schleier. Tau sammelt sich in den feinen Härchen auf Blättern und Blüten, in den Fäden eines Spinnennetzes. Tränen eines neuen Morgens.


Die Schnecke gleitet durch die nassen Gräser.


Sie hinterlässt auf ihrem Weg einen Film aus glänzendem Schleim, dank ihm ist es ihr möglich, glatte, scharfkantige und sogar senkrechte Hindernisse zu überwinden. Im Gepäck trägt sie ihr Häuschen, der Ursprung ihrer spiralförmigen Welt. Es ist ihr Schutz und Last zugleich, die sie geduldig mit sich führt. In langsamen Bahnen umkreist sie die Fixpunkte im Garten. Wie beiläufig legt sich ihr Schleim wie ein glänzendes Band als Zeichnung über die Welt.


Eine Fliege verfängt sich in den klebrigen Fäden. Die feinen Linien des Netzes zittern unter dem Körper, die Tautropfen tanzen im Licht durchbrechender Sonnenstrahlen, ein bunter Schimmer befällt die Szenerie. Die Spinne umkreist und nähert sich der Beute. Die milchig weissen Spinnenfäden umschlingen den kleinen schwarzen Leib.


Das Fenster ist geöffnet, die kalte Luft streicht über die Haut. Im Licht der Sonne, welche kurz durch den Nebel dringt, blitzen in mattem Silber die schleimigen Spuren der Schnecken auf. Scheinbar wahllose Orte haben sie miteinander verleimt und so eine Karte ihrer nächtlichen Wanderungen hinterlassen. Die Pflanzen neigen sich im feuchten Licht zueinander, und der Tau, gesammelt in den Tiefen ihrer Blätter, tropft still auf die Erde herab. Das Fenster ist geöffnet, doch die Scheiben bleiben.

Text: Jürgen Baumann
&#60;img width="3147" height="4752" width_o="3147" height_o="4752" data-src="https://freight.cargo.site/t/original/i/f6f45607bcffdf124e38a298bf9dd603dafeb11a220d6142bb45f214449880cc/NicoSebastianMeyer_17.jpg" data-mid="226701193" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/f6f45607bcffdf124e38a298bf9dd603dafeb11a220d6142bb45f214449880cc/NicoSebastianMeyer_17.jpg" /&#62;




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snailsOracle
2024 / 25
Window, snails

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&#60;img width="3203" height="4811" width_o="3203" height_o="4811" data-src="https://freight.cargo.site/t/original/i/5c40c1ea0b0c4b8883683e746d493cd727d0ecb08fd116adbd40b90e552017cc/NicoSebastianMeyer_15.jpg" data-mid="226701094" border="0"  src="https://freight.cargo.site/w/1000/i/5c40c1ea0b0c4b8883683e746d493cd727d0ecb08fd116adbd40b90e552017cc/NicoSebastianMeyer_15.jpg" /&#62;
why would you
2025Pencil on wall

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concealed medium2021 - 25Canvas, string, glass, water, colours, silicone, wood

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snake vs. shark (collaboration, reparation)2024&#38;nbsp;Fired ceramics, glue

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	untitled(collaboration with Lea Müller)
2025Wire, foil, candle


	Fotos: Brechtold Dinkelbrot

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		<title>still life (I changed my mind  it's what it's there for) copy</title>
				
		<link>https://nicosebastianmeyer.com/still-life-I-changed-my-mind-it-s-what-it-s-there-for-copy</link>

		<pubDate>Sat, 15 Feb 2025 08:15:13 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

		<guid isPermaLink="true">https://nicosebastianmeyer.com/still-life-I-changed-my-mind-it-s-what-it-s-there-for-copy</guid>

		<description>still life &#38;nbsp;
 &#38;nbsp; &#38;nbsp;&#38;nbsp; (I changed my mind 
it's what it's there for)&#38;nbsp;

&#60;img width="1700" height="1361" width_o="1700" height_o="1361" data-src="https://freight.cargo.site/t/original/i/dc5e4dd578d96b37cd4ace00761a0501665e36c18481aa0a94107f0bc925bc79/IMG_1212-Verbessert-NR-Kopie.jpg" data-mid="226613912" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/dc5e4dd578d96b37cd4ace00761a0501665e36c18481aa0a94107f0bc925bc79/IMG_1212-Verbessert-NR-Kopie.jpg" /&#62;
(excerpt / detail)still life (I changed my mind it's what it's there for)

2022/23

Fruits, porcelain, wood, hemp cord
 


	


	

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		<title>Buildings &#38; Ruins </title>
				
		<link>https://nicosebastianmeyer.com/Buildings-Ruins</link>

		<pubDate>Tue, 23 May 2023 10:11:13 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

		<guid isPermaLink="true">https://nicosebastianmeyer.com/Buildings-Ruins</guid>

		<description>
builidings and ruins


&#60;img width="2953" height="3691" width_o="2953" height_o="3691" data-src="https://freight.cargo.site/t/original/i/10d218cdf9def5c2ebeecb3a76e8c35a96a3e9b9d56b7b1f37d1fdeb6b1a4477/IMG_9371-Kopie.jpg" data-mid="179671191" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/10d218cdf9def5c2ebeecb3a76e8c35a96a3e9b9d56b7b1f37d1fdeb6b1a4477/IMG_9371-Kopie.jpg" /&#62;&#60;img width="3041" height="3802" width_o="3041" height_o="3802" data-src="https://freight.cargo.site/t/original/i/cf940037658cfabf970807dba2c890728363d21028c36f4ad5c60662fee48190/IMG_9369-Kopie.jpg" data-mid="179671192" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/cf940037658cfabf970807dba2c890728363d21028c36f4ad5c60662fee48190/IMG_9369-Kopie.jpg" /&#62;



&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A building is a manufactured structure with fixed boundaries that unfolds its specific function in the field of use and cultural practices: as a shelter protecting against the forces of nature, as a space for social exchange and cultivation, as a place of work and (re)production. The ruin, on the other hand, is the supposed counterpart to the building: it is unproductive, its boundaries are porous, it decays and lies fallow.


As a symbol of the ephemeral, the ruin has entered Western cultural history both as a sign of inevitable decline and as a projection surface for romantic fantasies. Meyer takes up these mental images and spins them further, linking them to the now. In the proclaimed age of the Anthropocene, the ruin is no longer a singularity; rather, the "ruinous" becomes the condition of an entire age. The Anthropos' building, constructing, and manufacturing, its striving for progress and its consumption are ruining the world, its landscapes, ecosystems, and habitats. At the same time, however, it is precisely the ruin that can give hope. After all, it also demonstrates the slow but steady re-appropriation and re-functioning of human structures by non-human actors—the circle of life in which, as long as there is life, germination follows decay.


This celebration of the ambiguous, which is characteristic of Meyer, should not be conceived as a gesture of negation. Rather, it emerges from a self-understanding of affirming plurality, openness, and contradictoriness, which may combine moments of uncanniness with humor, the threat of doom with joie de vivre, and thus formulates art as a potential: Precisely as ruinous, it emerges and persists.
Text by Valentina Ehnimb 


&#60;img width="2736" height="3648" width_o="2736" height_o="3648" data-src="https://freight.cargo.site/t/original/i/84ba134a8f9ec577ff1daf31e3babeda80ce8aff04e65c116b580084901d47b6/IMG_9292.JPG" data-mid="191279169" border="0"  src="https://freight.cargo.site/w/1000/i/84ba134a8f9ec577ff1daf31e3babeda80ce8aff04e65c116b580084901d47b6/IMG_9292.JPG" /&#62;


	


	

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		<title>Buildings &#38; Ruins  vid1</title>
				
		<link>https://nicosebastianmeyer.com/Buildings-Ruins-vid1</link>

		<pubDate>Thu, 25 May 2023 09:29:22 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

		<guid isPermaLink="true">https://nicosebastianmeyer.com/Buildings-Ruins-vid1</guid>

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video stillbuildigs and ruins (ep. 1 fire)


2022 /23&#38;nbsp; ongoing


video loop 28`38``
  


	
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	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a7ad161adf05ed3309e207ed258b20a6a6b276daa7c833b25465dea1fe6ea2a6/Sequenz-022.00_04_45_07.Standbild003.jpg" data-mid="179917475" border="0"  src="https://freight.cargo.site/w/1000/i/a7ad161adf05ed3309e207ed258b20a6a6b276daa7c833b25465dea1fe6ea2a6/Sequenz-022.00_04_45_07.Standbild003.jpg" /&#62;

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	<item>
		<title>Buildings &#38; Ruins  vid2</title>
				
		<link>https://nicosebastianmeyer.com/Buildings-Ruins-vid2</link>

		<pubDate>Thu, 25 May 2023 09:48:41 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

		<guid isPermaLink="true">https://nicosebastianmeyer.com/Buildings-Ruins-vid2</guid>

		<description>&#38;nbsp;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b3601d06d062d728886a9979a2e175f21d0f4dcb70892c0ce30b040c1e00bd51/2023_02-foto-by-nicosebastianmeyer_Sequenz-022.01_00_20_23.Standbild006.jpg" data-mid="179916432" border="0"  src="https://freight.cargo.site/w/1000/i/b3601d06d062d728886a9979a2e175f21d0f4dcb70892c0ce30b040c1e00bd51/2023_02-foto-by-nicosebastianmeyer_Sequenz-022.01_00_20_23.Standbild006.jpg" /&#62;video stillbuildigs and ruins (ep. 2 water)


2022 /23&#38;nbsp; ongoing


video loop 12`31``
 


	
&#60;img width="3818" height="2140" width_o="3818" height_o="2140" data-src="https://freight.cargo.site/t/original/i/118e3c20cca2f0039de92f6ba1d4001f562cf74c8303484aa9cbf4712bd39d13/Bildschirmfoto-2023-01-09-um-08.29.21.png" data-mid="179917668" border="0"  src="https://freight.cargo.site/w/1000/i/118e3c20cca2f0039de92f6ba1d4001f562cf74c8303484aa9cbf4712bd39d13/Bildschirmfoto-2023-01-09-um-08.29.21.png" /&#62;

	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/aed83adcea58ff2019ea5f3a02be1c2009d8b612e47d3391fc72d75232f1c692/Sequenz-022.00_54_51_06.Standbild005.jpg" data-mid="179917608" border="0"  src="https://freight.cargo.site/w/1000/i/aed83adcea58ff2019ea5f3a02be1c2009d8b612e47d3391fc72d75232f1c692/Sequenz-022.00_54_51_06.Standbild005.jpg" /&#62;

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		<title>Buildings &#38; Ruins  vid f+w</title>
				
		<link>https://nicosebastianmeyer.com/Buildings-Ruins-vid-f-w</link>

		<pubDate>Thu, 25 May 2023 10:06:34 +0000</pubDate>

		<dc:creator>nico sebastian meyer</dc:creator>

		<guid isPermaLink="true">https://nicosebastianmeyer.com/Buildings-Ruins-vid-f-w</guid>

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